Hélène Grimaud: Memory

17,99 €
 
Formát:
CD
 
 
Dostupnosť:
dodacia doba 7-28 dní
 
 
Katalógové číslo:
4835710
 
 
EAN kód:
028948357109
 
 
Autori:
Claude Debussy, Erik Satie, Frédéric Chopin, Nitin Sawhney, Valentin Silvestrov
 
 
Interpreti:
Helene Grimaud
 
 
Vydavateľ:
DEUTSCHE GRAMMOPHON
 
 
Zoznam skladieb
Silvestrov: Bagatellen for piano
3:20

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

Bagatelle I
3:20


 Excerpt,  Debussy: Arabesques (2)
4:16

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

1. Andantino con moto in E Major
4:16


 Excerpt,  Silvestrov: Bagatellen for piano
3:38

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

Bagatelle II
3:38

 Excerpt,  Satie: Six Gnossiennes
2:21

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

4. Lent
2:21


Chopin: Écossaise, Op. 72 No. 1
4:04

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

 Excerpt,  Satie: Six Gnossiennes
3:12

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

1. Lent
3:12

 Excerpt,  Satie: Trois Gymnopédies
3:12

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

1. Lent et douloureux
3:12


Satie: Pièces froides / II. Danses de travers
1:34

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

1. En y regardant à deux fois
1:34

Debussy: La plus que lente
4:15

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

 Excerpt,  Chopin: Mazurkas (4), Op. 17
4:19

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

4. Lento, ma non troppo in A Minor
4:19

 Excerpt,  Chopin: Waltzes (3), Op. 34
5:25

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

2. Lento in A Minor
5:25

 Excerpt,  Debussy: Suite Bergamasque
4:24

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

3. Clair de lune
4:24

Debussy: Rêverie
3:34

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

Satie: Pièces froides / II. Danses de travers
1:25

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München

2. Passer
1:25

Sawhney: Breathing Light
2:32

Hélène Grimaud (piano)
Recorded: 2017-12-10
Recording Venue: Himmelfahrtskirche Sendling, München
Popis
Hélène Grimaud’s new album MEMORY can be thought as an invitation to mindfulness. Music that can help remind us “that for all in our daily lives that is trivial, there is a place where meaning is stored” I think it was Heidegger who said memory is to meditate on what is forgotten. Memory is not concrete – it is a recollection of things past, defined as much by what fades as what remains. The repertoire here is not connected to specific personal memories for me – memory is not autobiographical or programmatic in that sense. My interest is rather in exploring memory as a state of consciousness common to us all, and discovering paths and features of that meditation, suggested by music. – Hélène Grimaud Hélène for the first time in her career brings together French piano favourites from Satie, Debussy and combines them with Chopin, Rachmaninov's Vocalise, a piece by the Ukranian composer Valentin Silvestrov, as well as a brand-new piano version of "Breathing Light", one of Hélène 's favourite piece by her musical friend and collaborator composer/performer/producer Nitin Sawhney. The project consists of a classical piano recording by Hélène Grimaud (MEMORY slated for release in Sept 2018), followed by a recording from Nitin Sawhney (MEMORY ECHO coming in Q1 2019), on which he improvises and performs his own music, adding new layers to the classical piano compositions and transforming them with organic and natural sounds inspired by the concept of MEMORY. “I think of the album as a sequence of crystalline miniatures capturing time” – Hélène Grimaud