Dodgson: Margaret Catchpole: Two Worlds Apart (3CD)
22,00 €
Formát:
CD
Dostupnosť:
dodacia doba 7-28 dní
Katalógové číslo:
8.660459
EAN kód:
730099045971
Autori:
Stephen Dodgson
Interpreti:
Alistair Ollerenshaw, Diana Moore, Jon Stainsby, Jonathan Hanley, Julia Sporsén, Julian Perkins, Kate Howden, Leonora Dawson-Bowling, Mark Saberton, Matthew Brook, Michael Bundy, Nicholas Morris, Perpetuo, Peter Willcock, Richard Edgar-Wilson, Robyn Allegra Parton, William Wallace
Vydavateľ:
NAXOS, NAXOS Opera
Zoznam skladieb
CD 11. Act I: [Introduction]
2. Act I Scene 1: What an almighty fuss (Luff, Laud)
3. Act I Scene 1: For so many years (Laud, Luff)
4. Act I Scene 1: Oh harvest moon (Margaret, Laud)
5. Act I Scene 1: Under that far and shining sky (Laud, Margaret)
6. Act I Scene 1: The harvest is ended (Denton, Margaret, Laud, Labourers)
7. Act I Scene 1: Oh, my goodness gracious - look! (Mrs. Denton, Lucy, Margaret, Denton)
8. Act I Scene 1: Margaret? (Barry, Margaret)
9. Act I Scene 1: The ripen'd corn in sheaves is born (Labourer 2, Denton, Labourer 1, Mrs. Denton, Lucy, Barry)
10. Act I Scene 1: Interlude
11. Act I Scene 2: Seasons come, seasons go (Crusoe, Laud, Luff)
12. Act I Scene 2: Who's there? (Laud, Margaret)
13. Act I Scene 2: Come, Will. Enough's enough. (Luff, Margaret, Laud)
14. Act I Scene 2: No! No! (Margaret, Barry, Laud)
15. Act I Scene 2: Back you devils (Crusoe, Margaret, Barry)
CD 2
1. Act II Scene 1: You are young (Dr. Stebbing)
2. Act II Scene 1: Ah! Dr. Stebbing and Mr. Barry (Mrs. Cobbold, Barry, Margaret)
3. Act II Scene 1: Interlude
4. Act II Scene 2: I don't care what you think (Alice, Margaret)
5. Act II Scene 2: Come in, Margaret (Mrs. Cobbold, Margaret)
6. Act II Scene 2: Come then, Alice (Margaret, Alice, Laud)
7. Act II Scene 2: Interlude
8. Act II Scene 3: Luff? Are you there? (Laud, Luff)
9. Act II Scene 3: Heard you that, old man? (Luff, Crusoe)
10. Act II Scene 3: Interlude
11. Act II Scene 4: Impossible. Impossible! (Margaret)
12. Act II: Postlude
CD 3
1. Act III Scene 1: Prisoner at the bar… (Judge)
2. Act III Scene 1: My Lord, my testimony has said I am her employer (Mrs. Cobbold)
3. Act III Scene 1: Conscience insists, my Lord (Dr. Stebbing, Judge)
4. Act III Scene 1: Interlude I
5. Act III Scene 1: Oh, Mistress! (Margaret, Mrs. Cobbold)
6. Act III Scene 1: Interlude II
7. Act III Scene 2: Good conduct, Margaret (Guard)
8. Act III Scene 2: Margaret… Can it be you? (Laud, Margaret)
9. Act III Scene 2: Interlude
10. Act III Scene 3: We're clear now (Laud, Crusoe, Guard)
11. Act III Scene 3: Oh joy of freedom! (Margaret, Laud, Guard)
12. Act III Scene 3: I know, I know (Crusoe)
13. Act III Scene 3: Interlude
14. Act III Scene 4: Prisoner at the bar… (Judge)
15. Act III Scene 4: My Lord, always to this court I have confessed my guilt (Margaret, Judge)
16. Act III Scene 4: Interlude
17. Act III Scene 5: Mrs. Cobbold… Before you speak (Margaret, Mrs. Cobbold)
18. Act III Scene 5: In my loneliness (Margaret)
19. Act IV: [Introduction]
20. Act IV Scene 1: What a joy! (Mrs. Palmer, Barry)
21. Act IV Scene 1: Ever since I came to this new land (Barry, Mrs. Palmer)
22. Act IV Scene 1: Mrs. Palmer, forgive me (Barry, Mrs. Palmer)
23. Act IV Scene 1: Interlude
24. Act IV Scene 2: Come in, Margaret (Mrs. Palmer, Margaret)
25. Act IV Scene 2: John… Oh, I never thought to see you again (Margaret, Barry)
26. Act IV Scene 2: Interlude
27. Act IV Scene 3: Oh John… I am almost afraid (Margaret, Barry)
28. Act IV Scene 3: Oh, distant moon (Margaret)
Popis
Among Stephen Dodgson’s portfolio of more than 250 works are chamber operas, of which Margaret Catchpole: Two Worlds Apart is a most striking example. It is based on the true story of a woman who was convicted of the then capital crime of horse stealing and transported to Australia, and Dodgson conveys the romance and drama of the story with characteristic lyricism and rhythmic energy. Words are paramount for Dodgson, and his setting is vivid, immediate and tonal, with some swaggering rustic moments amidst the precise characterisation and idiomatic instrumental writing.

