Guitar Music of Mexico
12,00 €
Formát:
CD
Dostupnosť:
7-14 dní
Katalógové číslo:
8.573674
EAN kód:
0747313367474
Autori:
Alfredo Tamayo, Cecilio Perera, Cutberto Córdova, Ernesto Hernández Lunagómez, Helguera, Jorge Ritter, Julio César Oliva, Omar Tamez
Interpreti:
Cecilio Perera
Vydavateľ:
NAXOS, NAXOS Guitar Collection
Zoznam skladieb
Ernesto Hernández Lunagómez: Siena3:43
Cecilio Perera (guitar)
Oliva, J C: Imágenes de Yucatán
16:52
Cecilio Perera (guitar)
Recorded: 19-21 January 2017
Recording Venue: St. John Chrysostom Church, Newmarket, Ontario, Canada
Imágenes de Yucatán: I. Mérida
5:37
Imágenes de Yucatán: II. Paseo Montejo
5:11
Imágenes de Yucatán: III. Chichén Itzá
6:04
trad.: La Ilorona (arr. J.C. Oliva for guitar)
2:41
Cecilio Perera (guitar)
La Llorona (Arr. J.C. Oliva for Guitar)
2:41
Ritter, J: 3 Pieces for Guitar
6:46
Cecilio Perera (guitar)
Recorded: 19-21 January 2017
Recording Venue: St. John Chrysostom Church, Newmarket, Ontario, Canada
3 Pieces for Guitar: No. 1, Rápido
2:24
3 Pieces for Guitar: No. 2, Andante
2:07
3 Pieces for Guitar: No. 3, Jaleo
2:15
Cecilio Perera: Marina
4:22
Cecilio Perera (guitar)
Oliva, J C: Sonata para el Final de los Tiempos
24:18
Cecilio Perera (guitar)
Recorded: 19-21 January 2017
Recording Venue: St. John Chrysostom Church, Newmarket, Ontario, Canada
Sonata para el Final de los Tiempos: I. Señales Proféticas
8:46
Sonata para el Final de los Tiempos: II. La Gran Tribulación
8:03
Sonata para el Final de los Tiempos: III. Paraíso Recobrado
7:29
Alfredo Tamayo: Sueño, "Soñó mi mente loca" (arr. C. Perera for guitar)
3:43
Cecilio Perera (guitar)
Cutberto Córdova: Mabi
2:27
Cecilio Perera (guitar)
Helguera: Un retrato
2:34
Cecilio Perera (guitar)
Tamez: Aires de Son
7:46
Cecilio Perera (guitar)
Recorded: 19-21 January 2017
Recording Venue: St. John Chrysostom Church, Newmarket, Ontario, Canada
Aires de Son: I. Aire Itsmeño
2:08
Aires de Son: II. Quedo
3:39
Aires de Son: III. Son Trunco
1:59
Popis
The contemporary guitar music scene of Mexico is a vibrant and active community of composers, many of them concert guitarists themselves. The new generations of composers are creating a fascinating new repertoire which, while rooted in the historical elements of the Mexican musical heritage with its traditional melodies and indigenous folkloric vitality, embraces the sophistication of European compositional techniques. Evocations of period and place can be heard in Oliva’s Images of Yucatán and Gerardo Tamez’s Aires de Son, reminiscent of the music of southern Mexico. There are also personal homages such as award-winning guitarist Perera’s romantic Marina and Helguera’s poignant Un retrato (A Portrait).

