Schubert: Ländler, Minuets & Écossaises

12,00
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
8.574277
 
 
EAN kód:
747313427772
 
 
Autori:
Franz Schubert
 
 
Interpreti:
Daniel Lebhardt
 
 
Vydavateľ:
NAXOS
 
 
Zoznam skladieb
17 Ländler, D. 366
1. No. 1 in A Major
2. No. 2 in A Major
3. No. 3 in A Minor
4. No. 4 in A Minor
5. No. 5 in A Minor
6. No. 6 in C Major
7. No. 7 in G Major
8. No. 8 in D Major
9. No. 9 in B Major
10. No. 10 in B Minor
11. No. 11 in B Major
12. No. 12 in E-Flat Minor
13. No. 13 in B-Flat Minor
14. No. 14 in D-Flat Major
15. No. 15 in D-Flat Major
16. No. 16 in A-Flat Major
17. No. 17 in E-Flat Major

18. Minuet in A Major with Trio, D. 334
19. Minuet in A Minor with Trio, D. 277a

3 Minuets, D. 380
20. Minuet No. 1 in E Major with 2 Trios
21. Minuet No. 2 in A Major with 2 Trios
22. Minuet No. 3 in C Major with 2 Trios (incomplete)

2 Minuets, D. 91
23. No. 1 in D Major with 2 Trios
24. No. 2 in A Major with 2 Trios

16 Ländler and 2 Écossaises, Op. 67, D. 734
25. Ländler No. 1
26. Ländler No. 2
27. Ländler No. 3
28. Ländler No. 4
29. Ländler No. 5
30. Ländler No. 6
31. Ländler No. 7
32. Ländler No. 8
33. Ländler No. 9
34. Ländler No. 10
35. Ländler No. 11
36. Ländler No. 12
37. Ländler No. 13
38. Ländler No. 14
39. Ländler No. 15
40. Ländler No. 16
41. Écossaise No. 1 - Écossaise No. 2

42. Minuet in C-Sharp Minor, D. 600
43. Trio in E Major, D. 610
44. Minuet in E Major with 2 Trios, D. 335
Popis
Social and musical life in Biedermeier Vienna during the first decade of the 19th century created a great demand for dances which took place in the residences of wealthy citizens. With their echoes of the Austrian countryside Schubert’s folk-type Ländler are dances in 3/4 time, precursors of the waltz. Composed towards the end of his life when Schubert wrote his greatest music, the sets of 16 and 17 Ländler are notable for their melodic inventiveness. The 16 are dedicated to the ladies of Vienna and known as the Wiener Damen-Ländler; while the Écossaises were intended for facing lines of dancers rather than couples. Daniel Lebhardt relishes the joy and ‘irresistible and sometimes quite delirious’ ingenuity of these jewel-like dances.