Reznicek: String Quartets (2CD)

13,00 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
555002-2
 
 
EAN kód:
0761203500222
 
 
Autori:
Emil Nikolaus von Reznicek
 
 
Interpreti:
Minguet Quartett
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Reznicek: String Quartet No. 1 in C sharp minor
Work length18:44

Minguet Quartett

I. Allegretto con fuoco
Track length6:53

II. Andante tranquillo
Track length5:37

III. Presto à la hongroise
Track length6:14


Reznicek: String Quartet No. 5 in E minor
Work length16:31

Minguet Quartett

I. Moderato poco maestoso
Track length8:34

II. Allegro ma non troppo
Track length7:57


Reznicek: String Quartet in B flat major
Work length32:23

Minguet Quartett

I. Allegro moderato
Track length5:32

II. Notturno
Track length9:34

III. Allegro con fuoco
Track length9:39

IV. Andante con variazioni
Track length7:38


Reznicek: String Quartet No. 3 in C sharp minor
Work length26:26

Minguet Quartett

I. Allegro
Track length5:51

II. Andante mosso
Track length7:36

III. Allegretto
Track length4:25

IV. Pesante
Track length8:34


Reznicek: String Quartet No. 4 in D minor
Work length24:35

Minguet Quartett

I. Moderato
Track length7:09

II. Adagio
Track length6:04

III. Molto moderato quasi andante
Track length4:08

IV. Allegro
Track length7:14
Popis
"As a composer, Emil Nikolaus von Reznicek devoted himself primarily to wrting opera and orchestral music; chamber and piano music played a rather secondary role in his oeuvre. Here the genre of the string quartet, to which he turned at various points during his compositional development, formed an exception. What was central for him here was always 'the idea'. For him this idea was not a theme or a melody but the idea for a work. For example, he explained that he designed the Donna Diana overture in five minutes while lying on the divan and smoking a cigar. With the idea for the work in his head, he sat down at the piano and sought suitable themes for it. It is thus that many of his quartets experienced a difficult and varied developmental history since he often took them up again, revising and rewriting them at various times. However, all the quartets may be regarded as independent contemporary contributions to the genre; they range from his early development, when he continued to regard Beethoven as his model, to his complex and individual mature late quartets of great expressive power."