Enescu: Strigoii (Ghosts)

16,50 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
C5346
 
 
EAN kód:
0845221053462
 
 
Autori:
George Enescu
 
 
Interpreti:
Berlin Radio Symphony Orchestra, Gabriel Bebeşelea
 
 
Vydavateľ:
CAPRICCIO
 
 
Zoznam skladieb
Enescu: Strigoii
45:52

Berlin Radio Symphony Orchestra
Gabriel Bebeşelea
Bogdan Baciu (baritone), Rodica Vica (soprano), Alin Anca (narrator), Tiberius Simu (tenor)
Recorded: 11-14 December 2017
Recording Venue: RBB Sendesaal, Berlin, Germany

Pt. 1 (Reconstructed by C. Țăranu & S. Pautza): Sub bolta cea înaltă
3:51

Pt. 1 (Reconstructed by C. Țăranu & S. Pautza): Eram un copilandru
8:10

Pt. 1 (Reconstructed by C. Țăranu & S. Pautza): Făcliile ridică
3:01

Pt. 2 (Reconstructed by C. Țăranu & S. Pautza): Arald pe un cal negru zbura
4:30

Pt. 2 (Reconstructed by C. Țăranu & S. Pautza): Arald atunci coboară de pe-a lui cal - O, mag, de zile vecinic
1:17

Pt. 2 (Reconstructed by C. Țăranu & S. Pautza): Din inima-i pământul la morți să deie viață
1:31

Pt. 2 (Reconstructed by C. Țăranu & S. Pautza): Atuncea dinaintea lui Arald zidul piere
5:00

Pt. 2 (Reconstructed by C. Țăranu & S. Pautza): Rege, a venit Maria
1:41

Pt. 2 (Reconstructed by C. Țăranu & S. Pautza): Și blânde, triste glasuri din vuiet se desfac
2:25

Pt. 3 (Reconstructed by C. Țăranu & S. Pautza): În salele pustie lumine roși de torții
4:29

Pt. 3 (Reconstructed by C. Țăranu & S. Pautza): Arald, nu vrei pe sânu-mi
3:45

Pt. 3 (Reconstructed by C. Țăranu & S. Pautza): Ei zboar-o vijelie
3:16

Pt. 3 (Reconstructed by C. Țăranu & S. Pautza): Bătrânu-și pleacă geana și iar rămâne orb
2:56


Enescu: Pastorale Fantaisie
10:01

Berlin Radio Symphony Orchestra
Gabriel Bebeşelea
Popis
Strigoii remained a forgotten work until the manuscript, lost like many others in the turmoil of the First World War, was returned to the public domain by the director of the Enescu Museum. In order to understand how Strigoii was created, it was necessary to both decipher and then reconstruct the original score. When Enescu began Strigoii in 1916, it was the result of a long-held admiration for the poet Mihai Eminescu that was to last until the end of the composer’s life. While there are similarities to German Romanticism in Eminescu’s poem (think of Novalis or Tieck), in Strigoii Enescu also shows stylistic affinities to contemporaries such as Alexander von Zemlinsky and the young Alban Berg.