Mozart's Violin - The Complete Violin Concertos (2CD)

14,50
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
770672
 
 
EAN kód:
194397706727
 
 
Autori:
Wolfgang Amadeus Mozart
 
 
Interpreti:
Christoph Koncz, Les Musiciens du Louvre
 
 
Vydavateľ:
SONY Classical
 
 
Zoznam skladieb
2CD
Mozart: Violin Concerto No. 1 in B flat major K207
20:45

Christoph Koncz (violin)
Les Musiciens du Louvre

I. Allegro moderato
7:28

II. Adagio
7:27

III. Presto
5:50


Mozart: Violin Concerto No. 2 in D major, K211
21:18

Christoph Koncz (violin)
Les Musiciens du Louvre

I. Allegro moderato
9:16

II. Andante
7:40

III. Rondeau. Allegro
4:22


Mozart: Violin Concerto No. 3 in G major, K216
23:27

Christoph Koncz (violin)
Les Musiciens du Louvre

I. Allegro
9:31

II. Adagio
7:39

III. Rondeau. Allegro
6:17


Mozart: Violin Concerto No. 4 in D major, K218
22:52

Christoph Koncz (violin)
Les Musiciens du Louvre

I. Allegro
9:09

II. Andante cantabile
6:14

III. Rondeau. Andante grazioso
7:29


Mozart: Violin Concerto No. 5 in A major, K219 'Turkish'
29:04

Christoph Koncz (violin)
Les Musiciens du Louvre

I. Allegro aperto
10:08

II. Adagio
10:06

III. Rondeau. Tempo di minuetto
8:50
Popis
It was an awakening experience when Christoph Koncz, principal violinist of the Vienna Philharmonic and conductor, first held Mozart’s original concert violin in his hands. This was the violin on which Mozart had played as concertmaster in the Salzburg Hofkapelle: a Baroque violin that was carefully preserved after Mozart’s death and treated almost as a holy relic. The idea of recording Mozart’s five violin concertos for the first time on the composer’s own concert violin was one that Christoph Koncz found irresistibly fascinating. “There’s a close connection between these concertos and this instrument, and Mozart’s own experience of this violin undoubtedly inspired him greatly. In his violin concertos he was fond of using the instrument’s upper tessitura and coloratura register, which is where his violin sounds particularly beautiful.” – Christoph Koncz