Nexus Winchester. A Coup in the Cathedral Around the Year 1000
16,00 €
Formát:
CD
Dostupnosť:
backorder / dodacia doba 10-28 dní
Katalógové číslo:
A605
EAN kód:
3760195736050
Autori:
Anonym.
Interpreti:
Dialogos, Katarina Livljanic
Vydavateľ:
ARCANA
Zoznam skladieb
Dátum vydania: 23.10.2026Nexus Winchester. A Coup in the Cathedral Around the Year 1000 CD
Katarina Livljanić: Aetheluuolde, Aetheluuolde!
Work length 3:41
anon.: Alleluia. Iustus germinabit
Work length 3:28
Katarina Livljanić, Norbert Rodenkirchen: Blasphematores Dei
Work length 3:39
anon.: Iuxta vestibulum
Work length 1:43
Katarina Livljanić: De Abbandonia
Work length 1:23
anon.: Servite Domino
Work length 0:53
Katarina Livljanić: Cur foris moramur?
Work length 0:56
anon.: Beatus vir
Work length 3:00
Katarina Livljanić: Excommunicatio Leonis papae
Work length 3:41
Katarina Livljanić: Ex invidia
Work length 0:49
Anonymous, Norbert Rodenkirchen, Albrecht Maurer: Berta vetula & Improvisation
Work length 3:17
Katarina Livljanić: Ubi est fides tua?
Work length 3:02
anon.: Deus, deus meus
Work length 12:07
Albrecht Mauer, Norbert Rodenkirchen: Invocation & Ploratum
Work length 5:45
Katarina Livljanić, Norbert Rodenkirchen: Accensa fides
Work length 3:25
anon.: Genealogia Domini nostri Jesu Christi
Work length 4:42
Anonymous, Norbert Rodenkirchen, Albrecht Maurer: Bucca excelsa & Improvisation
Work length 4:06
Katarina Livljanić: Visiones, somnia
Work length 1:13
anon.: Laude celebret
Work length 5:40
Popis
"What happens when music becomes an act of rebellion? Step into Winchester Cathedral on a February morning in 964, a day which sparked a silent coup and forever changed the sound of worship. Nexus Winchester invites you into this charged moment, when canons – men of wicked and scandalous behaviour, not celebrating mass, marrying illicitly, living in gluttony and drunkenness, even trying to poison the bishop – were expelled, monks took their place, and some of the earliest polyphony in Western music arose from the conflict. Drawn from the Winchester Troper, these sumptuous works reveal a virtuosity and refinement that feel startlingly modern. Two voices entwine in the earliest known polyphonic masterpieces, fiddle and flutes drift between ritual and imagination, stories by the poet Wulfstan surface like whispered testimony, while voices and instruments open uncanny sonic spaces. A thousand years later, Ensemble Dialogos revives this repertoire not as a relic, but as living drama — where power, silence and song collide, and the past speaks urgently to the present."
