Monteverdi Edition (30CD)
80,00 €
Formát:
CD BOX
Dostupnosť:
7-14 dní
Katalógové číslo:
96910
EAN kód:
5028421969107
Autori:
Claudio Monteverdi
Interpreti:
Ensemble San Felice, Federico Bardazzi, Franco Radicchia, Gruppo Vocale Armoniosoincanto, Krijn Koetsveld, La Pifarescha, Le nuove musiche
Vydavateľ:
BRILLIANT CLASSICS
Zoznam skladieb
CD 1-12: Madrigali, Libri I-IXCD 13-15: Selva Morale e Spirituale
CD 16: Canzonette a tre voci
CD 17-18: Vespro della Beata Vergine
CD 19: Frammenti
CD 20-21: Messa et Salmi
COMPLETE OPERAS
CD 22-23: Orfeo
CD 24-26: Il ritorno d'Ulisse in patria
CD 27-30: L'incoronazione di Poppea
Popis
This substantial set dedicated to the vocal music of Claudio Monteverdi (1567–1643) features the great cycle undertaken (to date) by Krijn Koetsveld and the singers of Le Nuove Musiche: all nine books of madrigals, the music in Monteverdi collections such as the Selva Morale e Spirituale (1641) and the posthumous Messa a quattro voci ed salmi (1650), and the individual works by Monteverdi that were compiled in the collections of others, the so-called Fragments.
To this is joined the cycle of operas directed by Sergio Vartolo and sung by casts of Italian early music specialists, including the first recording of the five-act version of Il ritorno d’Ulisse in patria. These thoroughly researched, historically informed interpretations demonstrate Monteverdi’s pioneering and transformative role in the emergence and development of staged, dramatic vocal music.
Also featured are the grand Vespers – sacred music in the Gregorian plainchant tradition but on an operatic scale – in a fantastic recording with fine Italian soloists and authentic period instruments including the early brass of La Pifarescha. Federico Bardazzi and Ensemble Felice make scrupulous interpretative decisions about the order of movements, interpolating the choral motets within the prescribed sequence of psalms to great effect.
Finally, there are Monteverdi’s youthful three-part canzonettas, written when the composer was 17. They are rather simpler than the madrigals, both to sing and to appreciate, but their musical worth is amply demonstrated by the largely female voices of Armoniosoincanto joined by a mixed period-instrument ensemble of flutes, violas, theorbo and harpsichord. They impart just the right light-hearted mood and dramatic impact to the playful, folkloric secular strophic poetry. 

