Brahms: Waltzes for piano four-hands

12,00 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
ICSM 001
 
 
EAN kód:
5060399880015
 
 
Autori:
Johannes Brahms
 
 
Interpreti:
Fiammetta Tarli, Ivo Varbanov
 
 
Vydavateľ:
ICSM RECORDS
 
 
Zoznam skladieb
Brahms: Waltzes (16), Op. 39
Work length 17:37

Fiammetta Tarli (piano), Ivo Varbanov (piano)
Recorded: 1 March 2013
Recording Venue: Henry Wood Hall, London, United Kingdom

16 Waltzer, Op. 39: No. 1 in B Major
Track length 0:49
16 Waltzer, Op. 39: No. 2 in E Major
Track length 1:15
16 Waltzer, Op. 39: No. 3 in G-Sharp Minor
Track length 0:52
16 Waltzer, Op. 39: No. 4 in E Minor
Track length 1:09
16 Waltzer, Op. 39: No. 5 in E Major
Track length 1:18
16 Waltzer, Op. 39: No. 6 in C-Sharp Major
Track length 1:01
16 Waltzer, Op. 39: No. 7 in C-Sharp Minor
Track length 1:53
16 Waltzer, Op. 39: No. 8 in B-Flat Major
Track length 1:04
16 Waltzer, Op. 39: No. 9 in D Minor
Track length 1:00
16 Waltzer, Op. 39: No. 10 in G Major
Track length 0:28
16 Waltzer, Op. 39: No. 11 in B Minor
Track length 1:09
16 Waltzer, Op. 39: No. 12 in E Major
Track length 1:25
16 Waltzer, Op. 39: No. 13 in C Major
Track length 0:36
16 Waltzer, Op. 39: No. 14 in A Minor
Track length 1:19
16 Waltzer, Op. 39: No. 15 in A Major
Track length 1:18
16 Waltzer, Op. 39: No. 16 in D Minor
Track length 1:01
Brahms: Liebeslieder-Walzer, Op. 52
Work length 21:19

Fiammetta Tarli (piano), Ivo Varbanov (piano)
Recorded: 1 March 2013
Recording Venue: Henry Wood Hall, London, United Kingdom

18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 1, Rede, Mädchen, allzu liebes
Track length 1:06
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 2, Am Gesteine rauscht die Flut
Track length 0:42
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 3, O die Frauen
Track length 1:19
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 4, Wie des Abends schöne Röte
Track length 0:43
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 5, Die grüne Hopfenranke
Track length 1:21
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 6, Ein kleiner, hübscher Vogel nahm den Flug
Track length 2:21
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 7, Wohl schön bewandt
Track length 1:06
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 8, Wenn so lind dein Auge mir
Track length 1:19
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 9, Am Donaustrande
Track length 1:47
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 10, O wie sanft die Quelle
Track length 0:46
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 11, Nein, es ist nicht auszukommen
Track length 0:53
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 12, Schlosser auf, und mache Schlösser
Track length 0:45
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 13, Vögelein durchrauscht die Luft
Track length 0:45
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 14, Sieh, wie ist die Welle klar
Track length 0:48
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 15, Nachtigall, sie singt so schön
Track length 1:22
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 16, Ein dunkeler Schacht ist Liebe
Track length 1:06
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 17, Nicht wandle, mein Licht
Track length 1:45
18 Liebeslieder Walzer, Op. 52a (Version for Piano 4 Hands): No. 18, Es bebet das Gesträuche
Track length 1:25
Brahms: 15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands)
Work length 16:51

Fiammetta Tarli (piano), Ivo Varbanov (piano)
Recorded: 1 March 2013
Recording Venue: Henry Wood Hall, London, United Kingdom

15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 1, Verzicht, o Herz, auf Rettung
Track length 0:44
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 2, Finstere Schatten der Nacht
Track length 1:19
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 3, An jeder Hand die Finger
Track length 1:00
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 4, Ihr schwarzen Augen
Track length 0:35
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 5, Wahre, wahre deinen Sohn
Track length 1:01
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 6, Rosen steckt mir an die Mutter
Track length 0:40
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 7, Vom Gebirge Well auf Well
Track length 0:58
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 8, Weiche Gräser im Revier
Track length 1:21
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 9, Nagen am Herzen fühl ich
Track length 1:00
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 10, Ich kose süß mit und der
Track length 0:50
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 11, Alles, alles in den Wind
Track length 0:38
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 12, Schwarzer Wald, dein Schatten
Track length 1:25
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 13, Nein, Geliebter, setze dich
Track length 1:04
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 14, Flammenauge, dunkles Haar
Track length 1:27
15 Neue Liebeslieder Waltzer, Op. 65a (Version for Piano 4 Hands): No. 15, Zum Schluss. Nun, ihr Musen, genug!
Track length 2:49
Popis
The first release of ICSM Records (ICSM Records 001) features the complete recording of Brahms four-hand Waltzes. Dance music was in Johannes Brahms’s blood. Two particular dance-measures fascinated him throughout his life, the waltz and the Hungarian Czárdás. Here we explore what he could do with waltz-rhythms, even on the smallest scale, in the medium of the piano duet. Brahms’s two sets of Liebeslieder-Walzer (Love-song Waltzes) used to be among his best-known works. These beguiling little waltz-songs remind us of a time before radio or television, when domestic music-making was a fact of life, a time when ‘quartet parties’ were frequent and when families would gather around the piano to play and sing for their evening entertainment. Performed by Tarli and Varbanov, the two interpreters enrapt the listener with an imaginary fantasy on the waltz form whose underlying theme is love.