Keenlyside/Martineau: Songs by Schubert, Wolf, Fauré and Ravel

12,00
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
WHLive0031
 
 
EAN kód:
5065000924294
 
 
Autori:
Franz Schubert, Gabriel Fauré, Hugo Wolf, Maurice Ravel, POULENC Francis
 
 
Interpreti:
Malcolm Martineau, Simon Keenlyside
 
 
Vydavateľ:
Wigmore Hall Live
 
 
Zoznam skladieb
Franz Schubert
01 An Silvia
02 Die Einsiedelei
03 Verklärung
04 Die Steme
05 Himmelsfunken
06 Ständchen

Hugo Wolf
07 Der Knabe und das Immlein
08 Gesang Weyla's
09 An die Geliebte
10 Auf eine Christblume II
11 Lied eines Verliebten
12 Lied vom Winde

Gabriel Fauré
13 Aubade
14 En sourdine
15 Green
16 Notre amour
17 Fleur jetée
18 Spleen
19 Madrigal
20 Le papillon et la fleur

Maurice Ravel: Histoires naturelles
21 Le paon
22 Le grillon
23 Le cygnet
24 Le martin-pêcheur
25 La pintade

encore
26 announcement (Malcolm Martineau)
Francis Poulenc
27 Hôtel
Popis
He was already noted as a recitalist, and “a talent to cherish” as far back as 1989. Since appearing in La Scala in 1998 he has performed recitals all over the world, his repertoire including: Schubert, Schumann, Strauss, Brahms, Fauré, Wolf and Mahler. He has also recorded many English songs. Gramophone describe him as the finest baritone singer of Lieder this country has ever produced. In Simon's own words “I've probably got around 15 years, and think I can see the end of the tunnel. I've done most of the roles that suit me and some, like Papageno, I'll never want to drop…” “In Wagner I shan't go beyond Wolfram in Tannhauser. I know there's Beckmesser, but I'm afraid it's not a role that excites or fascinates me. I'll never get tired of the stand-and-sing roles like Germont in Traviata and Posa in Don Carlos - parts where you really have to act with your voice and pin the audience to their seats with inflexion, nuance and colour. I probably shan't sing Billy Budd again… and am moving down from Pelleas to Golaud. The two new roles I'm most excited about are Wozzeck and Rigoletto, which are both great theatre and call on a huge palette of colours. Wozzeck in particular, is a mountain any baritone wants to climb…”