Teatro Spirituale (Rome c. 1610)

15,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
RIC399
 
 
EAN kód:
5400439003996
 
 
Autori:
Anonym., Emilio de Cavalieri, Giovanni Animuccia, Giovanni de Macque, Giovanni Francesco Anerio, Girolamo Frescobaldi, Luca Marenzio, Quagliati, Soto de Langa
 
 
Interpreti:
Inalto, Lambert Colson
 
 
Vydavateľ:
RICERCAR
 
 
Zoznam skladieb
anon.: De profundis (4 voices, 3 flutes)

Inalto
Lambert Colson

Cavalieri: Sinfonia

Inalto
Lambert Colson

Quagliati: Satiati Huomo Carnale

Inalto
Lambert Colson

anon.: Domine ne in furore tuo arguas me

Inalto
Lambert Colson

Anerio, G F: Ritorn'al tuo Pastor Smarrit'agnella

Inalto
Lambert Colson

Soto de Langa: Come Ti Veggio

Inalto
Lambert Colson

Macque: Capriccio sopra re fa mi sol

Inalto
Lambert Colson

Cifra: Emendemus in Melius

Inalto
Lambert Colson

anon.: Domine Exaudi Orationem Meam

Inalto
Lambert Colson

Marenzio: Crudele acerba

Inalto
Lambert Colson

anon.: Miserere, my Maker

Inalto
Lambert Colson

Animuccia: S'alhor Che piu Sperai

Inalto
Lambert Colson

Frescobaldi: Toccata per le Levatione

Inalto
Lambert Colson

anon.: Domine in Furore Tuo

Inalto
Lambert Colson

Frescobaldi: Canzon quinta a 4 (1634)

Inalto
Lambert Colson

Anerio, G F: Signor, Io T'ho Confitto

Inalto
Lambert Colson

Quagliati: Recercata 19 a 4

Inalto
Lambert Colson
Popis
This recording transports us to Rome’s Chiesa Nuova, the Oratory Church where in 1600 the premiere took place of the first spiritual opera, La Rappresentatione di Anima e di Corpo by Cavalieri. That pioneering spirit has inspired this programme devised by InAlto. Among the manuscripts in the church’s library is an anonymous source, probably dating from the very beginning of the 17th century, containing a complete cycle of settings of those seven psalms that ever since the time of Saint Augustine have been called the ‘Penitenial Psalms’. This Roman score is absolutely unique of its kind, being monodic, and composed in the early operatic melodic narrative style of recitar cantando. InAlto presents here a completely original approach, one that puts this early 17th century repertoire in its context by recreating, in the tradition of the Oratorian spiritual exercises, an imaginary ritual that might unfold in the days preceding Holy Week, one in which each of the penitential psalms takes on its full meaning; while the extraordinary musical dissonances encoded in this manuscript are guaranteed to shock the listener…