Inmost Heart - Bach / Brahms / Busoni / Reger
18,00 €
Formát:
CD
Dostupnosť:
7-14 dní
Katalógové číslo:
CKD752
EAN kód:
691062075220
Autori:
Ferruccio Busoni, Johann Sebastian Bach, Johannes Brahms, Max Reger
Interpreti:
Samson Tsoy
Vydavateľ:
LINN RECORDS
Zoznam skladieb
Dátum vydania: 14. 2. 2025Johannes Brahms: 11 Chorale Preludes, Op. 122
1 No. 10, Herzlich tut mich verlangen
2 No. 8, Es ist ein Ros entsprungen
Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24
3 Aria
4 Var. I
5 Var. II
6 Var. III
7 Var. IV
8 Var. V
9 Var. VI
10 Var. VII
11 Var. VIII
12 Var. IX
13 Var. X
14 Var. XI
15 Var. XII
16 Var. XIII
17 Var. XIV
18 Var. XV
19 Var. XVI
20 Var. XVII
21 Var. XVIII
22 Var. XIX
23 Var. XX
24 Var. XXI
25 Var. XXII
26 Var. XXIII
27 Var. XXIV
28 Var. XXV
29 Fuga
30 Johannes Brahms (arr. Busoni): 11 Chorale Preludes, Op. 122: No. 4, Herzlich tut mich erfreuen
31 Johann Sebastian Bach (arr. left hand Brahms): Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne
Johannes Brahms
11 Chorale Preludes, Op. 122 (arr. Busoni)
32 No. 5, Schmücke dich, o Liebe Seele
33 No. 9, Herzlich tut mich verlangen
Vier Ernste Gesänge, Op. 121 (arr. Reger)
34 No. 1, Denn es gehet dem Menschen
35 No. 2, Ich wandte mich
36 No. 3, O Tod, wie bitter bist du
37 No. 4, Wenn ich mit Menschen und mit Engelszungen redete
38 11 Chorale Preludes, Op. 122: No. 11, O Welt, ich muss dich lassen (arr. Busoni)
Popis
In Samson Tsoy’s artfully designed solo debut recording, ideas reverberate across the centuries as Brahms’s elaborations of works by two past masters are juxtaposed with reworkings of his own music by two later composers. Lauded for his originality and ‘inexhaustible imagination’, the young pianist and celebrated duo partner of Pavel Kolesnikov is fascinated by the intimate and poignant role of an interpreter. Questioning the subtle difference between interpretation and creation, Tsoy weaves together this complex tapestry of versions, variants and variations. Forming the core of this gripping recital, Variations and Fugue on a theme by Handel, Op. 24, is a series of carefully crafted miniatures. Bach’s Chaconne, brilliantly arranged for the left hand by Brahms, is another instance of a genius humbly sourcing inspiration while interpreting the masterwork of his predecessor. The rest of the recital points to Brahms’s successors Busoni and Reger, who arranged six of Brahms’s Chorale Preludes, Op. 122, and Vier Ernste Gesänge, Op. 121, respectively.
