Reicha: Chamber Music (2CD)

18,00
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
555397-2
 
 
EAN kód:
761203539727
 
 
Autori:
Anton Reicha
 
 
Interpreti:
Albert-Schweitzer-Ensemble
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Reicha, A: Grand Quatuor concertant for Piano, Flute, Bassoon and Cello in E Flat Major, op. 104
Work length 35:20

Albert-Schweitzer-Ensemble

I. Adagio-Allegro
Track length14:51

II. Andante
Track length7:53

III. Allegro assai
Track length 4:11

IV. Finale: Allegro
Track length 8:25


Reicha, A: Trio for Flute, Violin and Cello in G Major
Work length 35:02

Albert-Schweitzer-Ensemble

I. Adagio
Track length 4:56

II. Allegro
Track length 8:49

III. Menuetto: Allegro
Track length 11:24

IV. Rondo: Allegretto
Track length 9:53

Reicha, A: Grand Trio concertant for Violin, Cello and Piano in A Major, op. 101
Work length 26:28

Albert-Schweitzer-Ensemble

I. Allegro non troppo
Track length 10:33

II. Minuetto: Allegro vivace
Track length 3:09

III. Andante con sordini
Track length 6:02

IV. Finale: assai
Track length 6:44

Reicha, A: Quintet No. 2 for Flute, Clarinet, French Horn, Bassoon and Viola in E Flat Major
Work length 32:31
Albert-Schweitzer-Ensemble

I. Adagio
Track length 1:19

II. Allegro assai
Track length 6:10

III. Menuetto
Track length 4:36

IV. Andante
Track length 5:58

V. Tempo di Minuetto
Track length 3:39

VI. Andante con Variationi: Thema
Track length 1:21

VII. Variation I
Track length 1:16

VIII. Variation II
Track length 1:30

IX. Variation III
Track length 1:08

X. Variation IV
Track length 1:15

XI. Variation V
Track length 1:06

XII. Presto: Rondeau
Track length 3:13
Popis
A full ten months older than Ludwig van Beethoven and a friend since their years together in Bonn, the Bohemian Antonín Reicha is to a certain extent a complementary addition to the revolutionary achievements of the "Titan". You can hear at every turn that he also had a pronounced tendency towards experimentation. This is seen mostly in his extremely "relaxed" treatment of established norms – a minuet where any dancer would immediately and hopelessly falter; variations with extremely contrasting means of expression; harmonic and melodic impudence; an often very subtle way of shifting phrases; and astonishing scoring – these are the characteristics of a man that shook the foundations of Paris and beyond.