Reicha: Chamber Music (2CD)
18,00 €
Formát:
CD
Dostupnosť:
7-14 dní
Katalógové číslo:
555397-2
EAN kód:
761203539727
Autori:
Anton Reicha
Interpreti:
Albert-Schweitzer-Ensemble
Vydavateľ:
CPO
Zoznam skladieb
Reicha, A: Grand Quatuor concertant for Piano, Flute, Bassoon and Cello in E Flat Major, op. 104Work length 35:20
Albert-Schweitzer-Ensemble
I. Adagio-Allegro
Track length14:51
II. Andante
Track length7:53
III. Allegro assai
Track length 4:11
IV. Finale: Allegro
Track length 8:25
Reicha, A: Trio for Flute, Violin and Cello in G Major
Work length 35:02
Albert-Schweitzer-Ensemble
I. Adagio
Track length 4:56
II. Allegro
Track length 8:49
III. Menuetto: Allegro
Track length 11:24
IV. Rondo: Allegretto
Track length 9:53
Reicha, A: Grand Trio concertant for Violin, Cello and Piano in A Major, op. 101
Work length 26:28
Albert-Schweitzer-Ensemble
I. Allegro non troppo
Track length 10:33
II. Minuetto: Allegro vivace
Track length 3:09
III. Andante con sordini
Track length 6:02
IV. Finale: assai
Track length 6:44
Reicha, A: Quintet No. 2 for Flute, Clarinet, French Horn, Bassoon and Viola in E Flat Major
Work length 32:31
Albert-Schweitzer-Ensemble
I. Adagio
Track length 1:19
II. Allegro assai
Track length 6:10
III. Menuetto
Track length 4:36
IV. Andante
Track length 5:58
V. Tempo di Minuetto
Track length 3:39
VI. Andante con Variationi: Thema
Track length 1:21
VII. Variation I
Track length 1:16
VIII. Variation II
Track length 1:30
IX. Variation III
Track length 1:08
X. Variation IV
Track length 1:15
XI. Variation V
Track length 1:06
XII. Presto: Rondeau
Track length 3:13
Popis
A full ten months older than Ludwig van Beethoven and a friend since their years together in Bonn, the Bohemian Antonín Reicha is to a certain extent a complementary addition to the revolutionary achievements of the "Titan". You can hear at every turn that he also had a pronounced tendency towards experimentation. This is seen mostly in his extremely "relaxed" treatment of established norms – a minuet where any dancer would immediately and hopelessly falter; variations with extremely contrasting means of expression; harmonic and melodic impudence; an often very subtle way of shifting phrases; and astonishing scoring – these are the characteristics of a man that shook the foundations of Paris and beyond.

