Graupner: Passion Cantatas, Vol. 2
13,00 €
Formát:
CD
Dostupnosť:
dodacia doba 7-28 dní
Katalógové číslo:
7971800
EAN kód:
761203517022
Autori:
Johann Christoph Graupner
Interpreti:
Barockorchester Mannheimer Hofkapelle, Florian Heyerick
Vydavateľ:
CPO
Zoznam skladieb
Graupner: Freund, warum bist Du kommen?, GWV 1122 / 4119:50
Recorded: 16 March 2017
Recording Venue: Live recording, Miry Concertzaal, Gent, Belgium
I. Freund, warum bist Du kommen? (Live)
0:43
II. Ach Jesu, wie so wehe (Live)
1:55
III. Aller Jammer, alle Plagen (Live)
5:51
IV. Ihr, die ihr euch nach Christo nennt (Live)
1:57
V. Der Herr ist treu (Live)
4:12
VI. Ihr Freunde Jesu, wacht (Live)
1:15
VII. Herr, lass Dein bitter Leiden (Live)
3:57
Graupner: Nun ist alles wohl gemacht, GWV 1127 / 41
35:27
Recorded: 16 March 2017
Recording Venue: Live recording, Miry Concertzaal, Gent, Belgium
I. Nun ist es alles wohl gemacht (Live)
3:42
II. Die Heiland stirbt! (Live)
1:09
III. Weine über Jesus Schmerzen (Live)
11:15
IV. Wahr ist's! (Live)
1:27
V. Da Er ist vollendet (Live)
2:13
VI. Alles ist vollendet! (Live)
8:40
VII. Entblaßter Held, der auch im Tod gesiegt (Live)
1:03
VIII. So laßt uns Ihm nun dankbar sein (Live)
5:58
Graupner: Gedenke Herr an die Schmach, GWV 1170 / 41
23:48
Recorded: 16 March 2017
Recording Venue: Live recording, Miry Concertzaal, Gent, Belgium
I. Gedenke, Herr, an die Schmach Deiner Knechte (Live)
4:18
II. Die Heiland Wen jammert's nicht (Live)
1:00
III. Jesus trägt verweg'ner Rotten (Live)
6:53
IV. Kommt, Seelen, kommt herbei! (Live)
2:09
V. Ach, alle Welt will Jesu spotten (Live)
5:26
VI. Ein Heide denkt (Live)
1:13
VII. Man hat Dich sehr hart verhöhnet (Live)
2:49
Popis
Graupner holds in store music of the highest artistic sophistication. Flawless vocal achievements and an orchestra that savours all the colour nuances of Graupner's carefully thought-out instrumentation make these Passion cantatas a genuine listening feast.' This is what klassik-heute.com wrote after the release of Vol. 1 featuring cantatas by Christoph Graupner. Once again the instrumentation is manifold in its design, and it is here too that we find the key to Graupner's personal style: he captivates his listeners not so much with catchy melodies as with intensive play with the various tone colours made available to him by the court chapel members and their instruments. This recording is new proof that Graupner was indeed one of the most independent-minded and individual and composers of the German Baroque period.

