Telemann: The Grand Concertos for Mixed Instruments, Vol. 4

13,00 €
 
Formát:
CD
 
 
Dostupnosť:
dodacia doba 7-28 dní
 
 
Katalógové číslo:
4111649
 
 
EAN kód:
761203789221
 
 
Autori:
Georg Philipp Telemann
 
 
Interpreti:
La Stagione Frankfurt, Michael Schneider
 
 
Vydavateľ:
CPO
 
 
Zoznam skladieb
Telemann: Concerto for Oboe & Violin in C Minor, TWV 52:c1
7:23

La Stagione Frankfurt
Michael Schneider
Martin Stadler (oboe), Ingeborg Scheerer (violin)
Recorded: October 2013
Recording Venue: Deutschlandfunk Kammermusiksaal, Köln, Germany

I. Adagio
2:29

II. Allegro
1:51

III. Adagio
1:11

IV. Allegro
1:52


Telemann: Concerto TWV 53:D2 in D major for trumpet, 2 oboes, strings & b.c.
8:37

La Stagione Frankfurt
Michael Schneider
Hans Peter Westermann (oboe), Annette Spehr (oboe), Hannes Rux (trumpet)
Recorded: January 2014
Recording Venue: Deutschlandfunk Kammermusiksaal, Köln, Germany

I. (Allegro)
2:43

II. (Adagio)
3:27

III. Vivace
2:27


Telemann: Concerto for Oboe, Violin, 2 Horns, Strings & Continuo in F Major, TWV 54:F1
24:10

La Stagione Frankfurt
Michael Schneider
Recorded: January 2014
Recording Venue: Deutschlandfunk Kammermusiksaal, Köln, Germany

I. Vivace
4:50

II. Scherzando
3:32

III. Vivace da capo
4:48

IV. Bourée I - Bourée II
5:27

V. Menuet
1:35

VI. Loure
1:11

VII. Gigue
2:47


Telemann: Concerto à 7 in F Major, TWV 44:41
7:20

La Stagione Frankfurt
Michael Schneider
Recorded: January 2014
Recording Venue: Deutschlandfunk Kammermusiksaal, Köln, Germany

I. Grave
2:15

II. Vivavce
2:01

III. Adagio
0:32

IV. Allegro
2:32


Telemann: Concerto for 2 Flutes & Violin in E Minor, TWV 53:e1
11:51

La Stagione Frankfurt
Annette Wehnert (violin), Michael Schneider (flute), Karl Kaiser (flute)
Recorded: May 2013
Recording Venue: Deutschlandfunk Kammermusiksaal, Köln, Germany

I. Larghetto
3:36

II. Allegro
2:34

III. Largo
3:00

IV. Presto
2:41
Popis
The press has decreed this unique series on cpo a “stylistically flawless and tonally beautiful interpretation” of Telemann’s mixed concertos. The wealth of thematic invention and the subtle connections developed in the movements can hardly be described exhaustively. Telemann’s creed was: when melodic invention is exhausted, then one must pursue new harmonic paths. And he was true to his word: unusual harmonic courses of events in which the compositional-technical limits are tested or even transgressed are characteristic of Telemann’s compositional style in all the genres, straight through to his late oeuvre.