Kreisler: The Complete Recordings Volume 6

6,90 €
 
Formát:
CD
 
 
Dostupnosť:
dodacia doba 7-28 dní
 
 
Katalógové číslo:
8.111400
 
 
EAN kód:
0747313340026
 
 
Autori:
Antonín Dvořák, Charles Dawes, Charles Wakefield Cadman, Ede Poldini, Edouard Lalo, Eduard Schütt, Erich Wolfgang Korngold, Erno Balogh, Fritz Kreisler, Georg Friedrich Händel, George Bass, Ignacy Jan Paderewski, Johan Evangelist Brandl, Joseph Haydn, Jules Massenet, Percy Grainger, Pyotr Ilyich Tchaikovsky, Victor August Herbert
 
 
Interpreti:
Fritz Kreisler
 
 
Vydavateľ:
NAXOS Historical
 
 
Zoznam skladieb
Kreisler: The Complete Recordings Volume 6


Balogh, E:


Caprice antique

Dirge of the North

Bass, G:


Chansonette

Brandl:


The Old Refrain

Cadman:


The Legend of the Canyon

Dawes, C:


Melody

Dvorak:


Slavonic Dance No. 2 in E minor, Op. 46 No. 2

Grainger:


Molly on the Shore

Handel:


Ombra mai fu (from Serse)

Haydn:


Symphony No. 96 in D major 'Miracle': Minuet

Herbert, V:


Orange Blossoms

Korngold:


Tanzlied des Pierrot from Die tote Stadt, Op. 12

Kreisler:


Caprice Viennois, Op. 2

Lalo:


Symphonie espagnole, Op. 21: Scherzando

Massenet:


Meditation (from Thaïs)

Paderewski:


Minuet in G major, Op. 14 No. 1

Poldini:


Poupée valsante

Schütt:


Slavonic Lament

arr. Carl Friedberg for violin and piano

Tchaikovsky:


Souvenir de Hapsal, Op. 2: No. 3. Song without Words in F major

Violin Concerto in D major, Op. 35: II. Canzonetta

trad.:


Old French Gavotte

arr. Carl Friedberg for violin and piano

Fritz Kreisler (violin) & Carl Lamson (piano)

Victor Orchestra, Rosario Bourdon
Popis
Volume 6 of this series completes Fritz Kreisler’s acoustic recordings for the Victor Talking Machine Company. The February 1925 sessions were the final months of acoustic recording techniques and, despite numerous takes, many of the sides were regrettably not passed for release. Fortunately an extremely rare test pressing of the Scherzando from Lalo’s Symphonie espagnole has survived (Track 19) as has an unpublished test pressing from 24 January 1924 of Take 2 of the Tchaikovsky Canzonetta (Track 1), which preserves Kreisler’s hauntingly ‘speaking’ tone and lovely trills. Kreisler turned 50 in February 1925, but with his sensitive tone and impeccably tuned double-stops he was playing better than ever.