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Piano Heroines (Claire Huangci)
 
16,00 €
 
Formát:
CD
 
 
Dostupnosť:
7-14 dní
 
 
Katalógové číslo:
ALPHA1231
 
 
EAN kód:
3701624512319
 
 
Autori:
Amy Beach, Clara Schumann, Fanny Mendelssohn, Florence Price
 
 
Interpreti:
Claire Huangci
 
 
Vydavateľ:
ALPHA
 
 
Zoznam skladieb
Dátum vydania: 30. 1. 2026

Fanny Mendelssohn
Capriccio in B Minor, H. 349
1 I. Andante
2 II. Allegro molto
Das Jahr, H. 385:
3 No. 2, February. Scherzo
4 No. 5, May. Frühlingslied
5 No. 6, Juni. Serenade
6 No. 9, September. Am Flusse

Amy Beach
Fantasia Fugata, Op. 87
7 I. Allegro vigoroso
8 II. Fuga. Allegro moderato

9 Cradle Song of the Lonely Mother, Op. 108

Four Sketches, Op. 15
10 No. 1, In Autumn
11 No. 2, Phantoms
12 No. 3, Dreaming
13 No. 4, Fire-Flies

Clara Schumann
14 Soirées musicales, Op. 6: No. 2, Notturno

Quatre pièces caractéristiques, Op. 5
15 No. 2, Caprice à la Boléro
16 No. 4, Scène fantastique - Le Ballet des revenants

17 Piano Concerto in A Minor, Op. 7: II. Romanze
18 Soirées musicales, Op. 6: No. 6, Polonaise

Florence Price
19 Fantasie Nègre No. 2 in G Minor
20 Meditation
21 Waltz of the Spring Maid
22 Your Hands in Mine
23 Cotton Dance
Popis
After a 'spellbinding' album for Alpha devoted to her American roots (Alpha1071), pianist Claire Huangci now celebrates female composers, acknowledging: ‘The realities these women faced are difficult to imagine for any modern woman in the field.’ Clara Wieck (who became Schumann after her marriage to Robert in 1840) was a mother of eight and the main breadwinner, constantly on tour. Fanny Hensel composed largely in private, often publishing under her brother’s name. Amy Beach’s career was practically silenced during her marriage; only upon her husband’s death did she return to the stage. Florence Price faced both racial and gender discrimination and later raised two children alone. Across the centuries, the voices of these women reach us thanks to musicians like Claire: 'In their music, we don’t just hear history. We hear transformation. Heroines is my way of listening back—and adding my voice to theirs.'
 
 
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