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The Grand Mogul - Virtuosic Baroque Flute Concertos
 
9,90 €
 
Formát:
CD
 
 
Dostupnosť:
na sklade / dostupné okamžite
 
 
Katalógové číslo:
8.573899
 
 
EAN kód:
747313389971
 
 
Autori:
Antonio Vivaldi, Georg Philipp Telemann, Giovanni Battista Pergolesi, Jean-Marie Leclair, Michel Blavet
 
 
Interpreti:
Barthold Kuijken, Indianapolis Baroque Orchestra
 
 
Vydavateľ:
NAXOS, NAXOS Early Music
 
 
Zoznam skladieb
Vivaldi: Concerto Il Gran Mogul for flute, strings & continuo in D minor, RV431a
8:01

Indianapolis Baroque Orchestra
Barthold Kuijken

I. Allegro non molto
3:22

II. Larghetto
2:06

III. Allegro
2:33


Pergolesi: Flute Concerto in G major
12:51

Indianapolis Baroque Orchestra
Barthold Kuijken

I. Spiritoso
4:35

II. Adagio
3:23

III. Allegro spiritoso
4:53


Leclair, J-M: Flute Concerto Op. 7 No. 3 in C major
14:08

Indianapolis Baroque Orchestra
Barthold Kuijken

I. Allegro
5:33

II. Adagio
4:20

III. Allegro assai
4:15


Blavet: Flute Concerto in A minor
14:24

Indianapolis Baroque Orchestra
Barthold Kuijken

I. Allegro
5:57

II. Gavottes I & II
3:17

III. Allegro
5:10


Telemann: Concerto TWV 51:D1 in D major for flute, strings & b.c.
15:52

Indianapolis Baroque Orchestra
Barthold Kuijken

I. Andante
4:06

II. Vivace
4:26

III. Largo
3:28

IV. Allegro
3:52
Popis
The solo concerto emerged in Northern Italy in the first quarter of the 18th century and rapidly became popular across Europe. The five works here demonstrate how concertos for the flute differ in Germany, Italy, and France. Outer movements usually retain the virtuosic elements that characterize the concertos of Vivaldi, but the Frenchman Michel Blavet infiltrates an exquisite Gavotte into his work, while Telemann’s superb melodies and rich harmonies are characteristic features of his Flute Concerto in D major. All five works exemplify the Baroque ideal of singing lyricism and passionate expression. Barthold Kuijken is an eminent leader in the field of early music. A virtuoso traverse soloist, teacher and conductor, he has shaped the fields of historical flutes and historically informed performance over the last 40 years. His book, The Notation is Not the Music, is an artful summary of his research, ideas, and reflections on music.
 
 
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