During his time as concertmaster in Weimar, musical life flourished at the Weimar court thanks to the music-loving Prince Johann Ernst. Through the prince, Bach came into contact with Vivaldi's latest concerti, among other things. Lina Tur Bonet presents here all four of Bach's concertos for solo violin, which were most probably composed at that time. In addition to the two original surviving concertos BWV 1041 and 1042, she also plays the reconstructions of concertos BWV 1052R and 1056R, two harpsichord concertos which were almost certainly originally intended for violin.